TENTATIVE SCHEDULE
Day 1:
| Session 1 – Digital Signal Processing Date: June 29 @ 15:15-16:15 (CEST) Session Chair: TBA |
| 11 Juho Liski, Jussi Rämö, Vesa Valimaki and Otso Lähdeoja. Equalization of Wood-Panel Loudspeakers |
| 24 Riccardo Russo, Stefania Serafin, Romain Michon, Yann Orlarey and Stéphane Letz. Introducing Finite Difference Schemes Synthesis in FAUST: A Cellular Automata Approach |
| 80 Fellipe Miranda Martins and José Padovani. Waveset Transformations: Source Characteristics and Transformation Peculiarities producing Hardly Predictable Sound Results |
| 83 Dirk Roosenburg, Eli Stine, Romain Michon and Jatin Chowdhury. A Wave-Digital Modeling Library for the Faust Programming Language |
| Session 2 – Performance Modeling Date: June 29 @ 16:30 – 17:30 (CEST) Session Chair: TBA |
| 52 Kaitlin Pet and Christopher Raphael. The Informatics Philharmonic in New Music |
| 63 Grigoris Bastas, Aggelos Gkiokas, Vassilis Katsouros and Petros Maragos. Convolutional Networks for Visual Onset Detection in the Context of Bowed String Instrument Performances |
| 75 Sutirtha Chakraborty, Senem Aktaş, William Clifford and Joseph Timoney. Beat Estimation from Musician Visual Cues |
| 95 David A. Randolph, Barbara Di Eugenio and Justin Badgerow. Expected Reciprocal Rank for Evaluating Fingering Advice |
| Session 3 – Sound in Space I: Modeling and Rendering Date: June 29 @ 18:45 – 19:45 (CEST) Session Chair: TBA |
| 59 Georgios Marentakis and Josef Hölzl. Compression Efficiency and Signal Distortion of Common PCA Bases for HRTF Modelling |
| 64 Émile Ouellet-Delorme, Harish Venkatesan, Emmanuel Durand and Nicolas Bouillot. Live Ray Tracing and Auralization of 3D Audio Scenes with vaRays |
| 81 Zack Settel, Jean-Yves Munch, Gabriel Downs and Nicolas Bouillot. Building Navigable Listening Experiences Based on Spatial Soundfield Capture: the case of the Orchestre Symphonique de Montréal playing Beethoven’s Symphony No. 6 |
| 92 Rishi Shukla, Rebecca Stewart and Mark Sandler. User HRTF Selection for 3D Auditory Mixed Reality |
| Session 4 – Physical Modeling Date: June 29 @ 20:00 – 20:55 (CEST) Session Chair: TBA |
| 28 Maarten van Walstijn, Abhiram Bhanuprakash and Paul Stapleton. Finite-Difference Simulation of Linear Plate Vibration with Dynamic Distributed Contact |
| 41 Titas Lasickas, Silvin Willemsen and Stefania Serafin. Real-Time Implementation of the Shamisen using Finite Difference Schemes |
| 47 Marius George Onofrei, Silvin Willemsen and Stefania Serafin. Implementing Physical Models in Real-time using Partitioned Convolution: An Adjustable Spring Reverb |
| 93 Tamara Smyth and Devansh Zurale. On the Transfer Function of the Piecewise-Cylindrical Model of the Vocal Tract |
Day 2:
| Session 5 – Systems for Music Generation and Composition Date: 30 June @ 12:00 – 13:00 (CEST) Session Chair: TBA |
| 7 Silvia Lanzalone. Composing with Feedback |
| 20 Sebastian Velez de Villa, Andrew McLeod and Martin Rohrmeier. Generating Musical Continuations with Repetition |
| 37 Arthur Parmentier, Ken Déguernel and Constance Frei. A Modular Tool for Automatic Soundpainting Query Recognition and Music Generation in Max/MSP |
| 65 Marco Tiraboschi, Federico Avanzini and Giuseppe Boccignone. Listen to your Mind’s (He)Art: A System for Affective Music Generation via Brain-Computer Interface |
| Session 6 – Sound Synthesis Date: June 30 @ 13:15 – 14:25 (CEST) Session Chair: TBA |
| 15 Daniel Mayer. Fb1_ODE – an Interface for Synthesis and Sound Processing with Ordinary Differential Equations in SuperCollider |
| 23 Chitralekha Gupta, Purnima Kamath and Lonce Wyse. Signal Representations for Synthesizing Audio Textures with Generative Adversarial Networks |
| 29 Dario Sanfilippo. Constrained Differential Equations as Complex Sound Generators |
| 55 Francesco Ganis, Erik Frej Knudsen, Søren V K Lyster, Robin Otterbein, David Südholt and Cumhur Erkut. Real-time Timbre Transfer and Sound Synthesis using DDSP |
| 58 Juan Alonso and Cumhur Erkut. Explorations of Singing Voice Synthesis using DDSP |
| Session 7 – Music Classification, Recommendation, and Preservation Date: June 30 @ 14:40 – 15:35 (CEST) Session Chair: TBA |
| 30 Ho-Hsiang Wu, Magdalena Fuentes and Juan Bello. Exploring Modality-agnostic Representations for Music Classification |
| 56 Lekshmi Reghunath and Rajeev Rajan. Attention-Based Predominant Instruments Recognition in Polyphonic Music |
| 66 Giorgio Presti, Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico and Davide Andrea Mauro. Ruffle: A User-Controllable Music Shuffling Algorithm |
| 73 Marina Bosi, Niccolò Pretto, Michelangelo Guarise and Sergio Canazza. Sound and Music Computing using AI: Designing a Standard |
| Session 8 – Perception and Emotion Date: June 30 @ 16:50 – 18:00 (CEST) Session Chair: TBA |
| 12 Federico Fontana, Hanna Järveläinen and Maurizio Favaro. Is an Auditory Event more Takete? |
| 32 Nicholas Farris, Brian Model, Richard Savery and Gil Weinberg. Musical Prosody-Driven Emotion Classification: Interpreting Vocalists Portrayal of 20 Emotions Through Machine Learning |
| 60 Alessandro Iop and Sandra Pauletto. Perception of Emotions in Multimodal Stimuli: The Case of Knocking on a Door |
| 84 Renato Panda, Hugo Redinho, Carolina Gonçalves, Ricardo Malheiro and Rui Pedro Paiva. How Does the Spotify API Compare to the Music Emotion Recognition State-of-the-Art? |
| 87 Shreyan Chowdhury, Verena Praher and Gerhard Widmer. Tracing Back Music Emotion Predictions to Sound Sources and Intuitive Perceptual Qualities |
Day 3:
| Session 9 – Sonification and Sound Design Date: July 01 @ 09:00 – 10:00 (CEST) Session Chair: TBA |
| 19 Lucy Weng, Adam Hulbert, Emma Gibbs and Emery Schubert. Sleep Through Surveyed: Usage and Efficacy of Streamed Soundscapes Created to Help Infants Sleep |
| 22 Gustav Frisk Arfvidsson, Martin Ljungdahl Eriksson, Håkan Lidbo and Kjetil Falkenberg. Design Considerations for Short Alerts and Notification Sounds in a Retail Environment |
| 45 Maxime Poret, Sébastien Ibarboure, Catherine Semal, Myriam Desainte-Catherine and Nadine Couture. Peripheral Auditory Display for 3D-Printing Process Monitoring |
| 76 Elif Özcan, Chen Chou, Koen Bogers and Aadjan van der Helm. CareTunes: Turning Patient Vitals into Music |
| Session 10 – Computational Music Analysis Date: July 01 @ 10:15 – 11:15 (CEST) Session Chair: TBA |
| 17 Elia Anzuoni, Sinan Ayhan, Federico Dutto, Andrew McLeod, Fabian C. Moss and Martin Rohrmeier. A Historical Analysis of Harmonic Progressions using Chord Embeddings |
| 42 Yuta Ogura, Hidefumi Ohmura, Satoshi Tojo and Kouichi Katsurada. Estimating Unexpectedness in Jazz Harmony with a Probabilistic Incremental Parser |
| 44 Hiroyuki Yamamoto and Satoshi Tojo. Generalized Tonal Pitch Space with Empirical Training |
| 49 Andrea Valle. The Unreal Book. Algorithmic Composition for Jazz Lead Sheets |
| Session 11 – Sound in Space II: Compositional Approaches Date: July 01 @ 11:25 – 12:25 (CEST) Session Chair: TBA |
| 8 Julian Scordato, Nicola Privato and Nicola Raccanelli. SketchingSonicTrajectories: A IanniX Tool for composing the Electroacoustic Space |
| 39 Stefano Catena. Real-time Algorithmic Timbral Spatialisation: Compositional Approaches and Techniques |
| 43 Damian Dziwis, Johannes M. Arend, Tim Lübeck and Christoph Pörschmann. IVES – Interactive Virtual Environment System: A Modular Toolkit for 3D Audiovisual Composition in Max |
| 50 Stefano Catena and Andrea Bolzoni. Virtual Acousmonium: A Study on Expressiveness of Musical Gestures |
| Session 12 – Web Audio and Interfaces Date: July 01 @ 12:40 – 13:35 (CEST) Session Chair: TBA |
| 10 Gianluca Elia and Daniel Overholt. Squidback: A Decentralized Generative Experience, based on Audio Feedback from a Web Application distributed to the Audience |
| 14 Hans Lindetorp and Kjetil Falkenberg Hansen. Audio Parameter Mapping Made Explicit Using WebAudioXML |
| 16 Romain Michon, Catinca Dumitrascu, Stéphane Letz, Yann Orlarey and Dominique Fober. The Gramophone: A Programmable DMI to Facilitate the Teaching of STEM Disciplines |
| 33 Thales Roel P. Pessanha, Higor Camporez, Jônatas Manzolli, Bruno Sanches Masiero, Leandro Costalonga and Tiago Fernandes Tavares. Virtual Robotic Musicianship: Challenges and Opportunities |
