
Day 1:
Session 1 – Digital Signal Processing Date: June 29 @ 15:15-16:15 (CEST) Session Chair: Federico Avanzini |
11 Juho Liski, Jussi Rämö, Vesa Valimaki and Otso Lähdeoja. Equalization of Wood-Panel Loudspeakers |
24 Riccardo Russo, Stefania Serafin, Romain Michon, Yann Orlarey and Stéphane Letz. Introducing Finite Difference Schemes Synthesis in FAUST: A Cellular Automata Approach |
80 Fellipe Miranda Martins and José Padovani. Waveset Transformations: Source Characteristics and Transformation Peculiarities producing Hardly Predictable Sound Results |
83 Dirk Roosenburg, Eli Stine, Romain Michon and Jatin Chowdhury. A Wave-Digital Modeling Library for the Faust Programming Language |
Session 2 – Performance Modeling Date: June 29 @ 16:30 – 17:30 (CEST) Session Chair: Marcella Mandanici |
52 Kaitlin Pet and Christopher Raphael. The Informatics Philharmonic in New Music |
63 Grigoris Bastas, Aggelos Gkiokas, Vassilis Katsouros and Petros Maragos. Convolutional Networks for Visual Onset Detection in the Context of Bowed String Instrument Performances |
75 Sutirtha Chakraborty, Senem Aktaş, William Clifford and Joseph Timoney. Beat Estimation from Musician Visual Cues |
95 David A. Randolph, Barbara Di Eugenio and Justin Badgerow. Expected Reciprocal Rank for Evaluating Fingering Advice |
Keynote 1 – Chris Chafe Date: June 29 @ 17:45 – 18:30 (CEST) Chair: Cristina Rottondi |
Unlocking Musical Performances During the Lockdowns |
Session 3 – Sound in Space I: Modeling and Rendering Date: June 29 @ 18:45 – 19:45 (CEST) Session Chair: Louena Shtrepi |
59 Georgios Marentakis and Josef Hölzl. Compression Efficiency and Signal Distortion of Common PCA Bases for HRTF Modelling |
64 Émile Ouellet-Delorme, Harish Venkatesan, Emmanuel Durand and Nicolas Bouillot. Live Ray Tracing and Auralization of 3D Audio Scenes with vaRays |
81 Zack Settel, Jean-Yves Munch, Gabriel Downs and Nicolas Bouillot. Building Navigable Listening Experiences Based on Spatial Soundfield Capture: the case of the Orchestre Symphonique de Montréal playing Beethoven’s Symphony No. 6 |
92 Rishi Shukla, Rebecca Stewart and Mark Sandler. User HRTF Selection for 3D Auditory Mixed Reality |
Session 4 – Physical Modeling Date: June 29 @ 20:00 – 20:55 (CEST) Session Chair: Federico Fontana |
28 Maarten van Walstijn, Abhiram Bhanuprakash and Paul Stapleton. Finite-Difference Simulation of Linear Plate Vibration with Dynamic Distributed Contact |
41 Titas Lasickas, Silvin Willemsen and Stefania Serafin. Real-Time Implementation of the Shamisen using Finite Difference Schemes |
47 Marius George Onofrei, Silvin Willemsen and Stefania Serafin. Implementing Physical Models in Real-time using Partitioned Convolution: An Adjustable Spring Reverb |
93 Tamara Smyth and Devansh Zurale. On the Transfer Function of the Piecewise-Cylindrical Model of the Vocal Tract |
Day 2:
Session 5 – Systems for Music Generation and Composition Date: 30 June @ 12:00 – 13:00 (CEST) Session Chair: Andrea Agostini |
7 Silvia Lanzalone. Composing with Feedback |
20 Sebastian Velez de Villa, Andrew McLeod and Martin Rohrmeier. Generating Musical Continuations with Repetition |
37 Arthur Parmentier, Ken Déguernel and Constance Frei. A Modular Tool for Automatic Soundpainting Query Recognition and Music Generation in Max/MSP |
65 Marco Tiraboschi, Federico Avanzini and Giuseppe Boccignone. Listen to your Mind’s (He)Art: A System for Affective Music Generation via Brain-Computer Interface |
Session 6 – Sound Synthesis Date: June 30 @ 13:15 – 14:25 (CEST) Session Chair: Romain Michon |
15 Daniel Mayer. Fb1_ODE – an Interface for Synthesis and Sound Processing with Ordinary Differential Equations in SuperCollider |
23 Chitralekha Gupta, Purnima Kamath and Lonce Wyse. Signal Representations for Synthesizing Audio Textures with Generative Adversarial Networks |
29 Dario Sanfilippo. Constrained Differential Equations as Complex Sound Generators |
55 Francesco Ganis, Erik Frej Knudsen, Søren V K Lyster, Robin Otterbein, David Südholt and Cumhur Erkut. Real-time Timbre Transfer and Sound Synthesis using DDSP |
58 Juan Alonso and Cumhur Erkut. Explorations of Singing Voice Synthesis using DDSP |
Session 7 – Music Classification, Recommendation, and Preservation Date: June 30 @ 14:40 – 15:35 (CEST) Session Chair: Xavier Serra |
30 Ho-Hsiang Wu, Magdalena Fuentes and Juan Bello. Exploring Modality-agnostic Representations for Music Classification |
56 Lekshmi Reghunath and Rajeev Rajan. Attention-Based Predominant Instruments Recognition in Polyphonic Music |
66 Giorgio Presti, Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico and Davide Andrea Mauro. Ruffle: A User-Controllable Music Shuffling Algorithm |
73 Marina Bosi, Niccolò Pretto, Michelangelo Guarise and Sergio Canazza. Sound and Music Computing using AI: Designing a Standard |
Keynote 2 – Scot Gresham-Lancaster Date: June 30 @ 15:50 – 16:35 (CEST) Chair: Andrea Valle |
Computer Network Music – an examination of the roots of a new genre of computer music |
Session 8 – Perception and Emotion Date: June 30 @ 16:50 – 18:00 (CEST) Session Chair: Asteris Zacharakis |
12 Federico Fontana, Hanna Järveläinen and Maurizio Favaro. Is an Auditory Event more Takete? |
32 Nicholas Farris, Brian Model, Richard Savery and Gil Weinberg. Musical Prosody-Driven Emotion Classification: Interpreting Vocalists Portrayal of 20 Emotions Through Machine Learning |
60 Alessandro Iop and Sandra Pauletto. Perception of Emotions in Multimodal Stimuli: The Case of Knocking on a Door |
84 Renato Panda, Hugo Redinho, Carolina Gonçalves, Ricardo Malheiro and Rui Pedro Paiva. How Does the Spotify API Compare to the Music Emotion Recognition State-of-the-Art? |
87 Shreyan Chowdhury, Verena Praher and Gerhard Widmer. Tracing Back Music Emotion Predictions to Sound Sources and Intuitive Perceptual Qualities |
Day 3:
Session 9 – Sonification and Sound Design Date: July 01 @ 09:00 – 10:00 (CEST) Session Chair: Stefano Delle Monache |
19 Lucy Weng, Adam Hulbert, Emma Gibbs and Emery Schubert. Sleep Through Surveyed: Usage and Efficacy of Streamed Soundscapes Created to Help Infants Sleep |
22 Gustav Frisk Arfvidsson, Martin Ljungdahl Eriksson, Håkan Lidbo and Kjetil Falkenberg. Design Considerations for Short Alerts and Notification Sounds in a Retail Environment |
45 Maxime Poret, Sébastien Ibarboure, Catherine Semal, Myriam Desainte-Catherine and Nadine Couture. Peripheral Auditory Display for 3D-Printing Process Monitoring |
76 Elif Özcan, Chen Chou, Koen Bogers and Aadjan van der Helm. CareTunes: Turning Patient Vitals into Music |
Keynote 3 – Emilia Gómez Date: July 01 @ 10:15 – 11:00 (CEST) Chair: Mark Sandler |
TROMPA: Towards Richer Online Music Public-domain Archives |
Session 10 – Computational Music Analysis Date: July 01 @ 11:00 – 12:00 (CEST) Session Chair: Olivier Lartillot |
17 Elia Anzuoni, Sinan Ayhan, Federico Dutto, Andrew McLeod, Fabian C. Moss and Martin Rohrmeier. A Historical Analysis of Harmonic Progressions using Chord Embeddings |
42 Yuta Ogura, Hidefumi Ohmura, Satoshi Tojo and Kouichi Katsurada. Estimating Unexpectedness in Jazz Harmony with a Probabilistic Incremental Parser |
44 Hiroyuki Yamamoto and Satoshi Tojo. Generalized Tonal Pitch Space with Empirical Training |
49 Andrea Valle. The Unreal Book. Algorithmic Composition for Jazz Lead Sheets |
Session 11 – Sound in Space II: Compositional Approaches Date: July 01 @ 12:10 – 13:10 (CEST) Session Chair: Thibaut Carpentier |
8 Julian Scordato, Nicola Privato and Nicola Raccanelli. SketchingSonicTrajectories: A IanniX Tool for composing the Electroacoustic Space |
39 Stefano Catena. Real-time Algorithmic Timbral Spatialisation: Compositional Approaches and Techniques |
43 Damian Dziwis, Johannes M. Arend, Tim Lübeck and Christoph Pörschmann. IVES – Interactive Virtual Environment System: A Modular Toolkit for 3D Audiovisual Composition in Max |
50 Stefano Catena and Andrea Bolzoni. Virtual Acousmonium: A Study on Expressiveness of Musical Gestures |
Session 12 – Web Audio and Interfaces Date: July 01 @ 13:25 – 14:20 (CEST) Session Chair: Luca Andrea Ludovico |
10 Gianluca Elia and Daniel Overholt. Squidback: A Decentralized Generative Experience, based on Audio Feedback from a Web Application distributed to the Audience |
14 Hans Lindetorp and Kjetil Falkenberg Hansen. Audio Parameter Mapping Made Explicit Using WebAudioXML |
16 Romain Michon, Catinca Dumitrascu, Stéphane Letz, Yann Orlarey and Dominique Fober. The Gramophone: A Programmable DMI to Facilitate the Teaching of STEM Disciplines |
33 Thales Roel P. Pessanha, Higor Camporez, Jônatas Manzolli, Bruno Sanches Masiero, Leandro Costalonga and Tiago Fernandes Tavares. Virtual Robotic Musicianship: Challenges and Opportunities |
Keynote 4 – Michele Ducceschi Date: July 01 @ 14:35 – 15:20 (CEST) Chair: Stefania Serafin |
Real-time, large scale physical modelling sound synthesis |
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